Tag: first2know

  • An Interview with Julian “Juelz” Davenport 

    By: Dwana Pinchock

    Can you tell us about the program that you’ll be doing at The Library?

    The title of the program is Written Proof. It’s a six-session program. What the students will be doing is coming up with an idea, processing it, and turning it into a finished product. As an author myself, I have four published poetry collections, so I’m super familiar with the process of getting [an idea] where it needs to go. We will go through a bunch of different exercises to bring out the best material we can from the students. Also, I’ll be dropping jewels on them (no pun intended) that they can use throughout the rest of their lives as writers.

    Can you tell us a little bit about your background and how you came to poetry?

    I’ve been a writer for quite some time now. I would say for my whole life, but professionally, just for the last decade or so. I’ve been going through my own process of being a writer.

    I’ve always used writing as a form of communication. I used to like to rap like my brother. My older brother was a rapper. Both of my brothers were into music in their own way, so I was kind of inspired by that.

    What music artists touched you the most?

    I was inspired by Tupac. He was my favorite rapper at the time. So, the stories that he would tell, the way he would tell them, the honesty of it all, it made me want to do more research on people like him. I can’t say I grew up as a student of poetry, but he was speaking on things that I was so familiar with. I didn’t feel like anybody else understood me that well. When I found out he was a poet, I thought, “Wow. You know, he does it a little bit of everything!”

    A lot of us come to poetry through lyrics first. You don’t realize it while growing up. At a certain point, it’s like, “Wait a minute! These words are creating a picture! It’s creating a story in a shorter version rather than a whole novel.”

    As a kid, I didn’t look at [song lyrics] as poetry, but when I look back, that’s how poetry found me. It gets straight to the point. A lot of my poetry is framed that way. Since I was young, sitting around reading huge paragraphs was not for me.

    When did poetry become your mode of expression?

    Poetry was like therapy for me, because I was one of the kids who was angry all the time. I would hold a lot of things in and the only way that I could even it out was through the writing process. That’s how poetry, came about. Those were my influences, but I remember specifically, I used to be a pen pal with my brother. My brother was locked up as a teen.

    We always had a decent relationship, and I remember a specific letter he wrote me. He always would give me advice. He’s three years older, and he always tried to steer me away from the street and things like that. He found a creative way of giving me advice by sending me a letter. I read the letter, but I didn’t pick up on it at first. When I went back over the letter and read the advice, I noticed it would all kind of rhyme. It all came together. It wasn’t much. It wasn’t a rap. There was no music, but it was cool. You know what I mean?

    Where do you find inspiration for your poems?

    I draw inspiration from everyone and everything, and maybe in a small way or a big way. Mostly, just being in the community, paying attention to politics, but not getting immersed in it. Just knowing what’s going on. A lot of my writing’s influenced by these things. Also, past experiences, where I see myself and where I want to go. I’m also inspired by my mother and her drive. Conversations with the average person, a drink of coffee, a walk…

    I’m just inspired by the writing process. it changes constantly. You know what I mean? I figure that when I write these poems, they should be honest and they should be to the point, and you have a short amount of time to get a point across. I like to utilize each line. Each line leads into a story and paints a picture. And the more we work at it, the better we are with our pen, our paintbrush, whatever instrument we use to create this art.

    Are there certain themes you tend to explore more than others in your work?

    I cover a lot of things, but I think it always leads back to self-discovery and, who I am as a person, as a man, outside of what I’m supposed to be.

    Do you have a specific routine or ritual for your writing process?

    Yes. I like to have coffee. Lots of coffee. No sugar. A little bit of cream. I love being in a coffee shop. A lot of the work I’ve done, happened in the area downtown: Denim Coffee, Midtown Scholar, Little Amps, even some of the storefronts and some of the restaurants. I sit there for hours to just write because for me, being in the midst of things is inspiring.

    I can go close myself off into a room, but when I’m out in the elements, things are different. I’m in tune with the rhythm of that day or that moment. I look at poetry like you’re either capturing a moment in history or a moment in the present. I feel like a good poet can do that, and I try my best to do that.

    Why do you think libraries are important spaces for young poets and artists?

    I would say the library is just a safe space. You’re surrounded by so many stories, so much knowledge. As a kid, I frequented the library, and I would get lost there. I’m kind of still doing the same thing. I’m just using coffee shops now, but the library, I would say, played a major part in finding the type of peace that I can find on my own. As writers, we need to have some type of peace so that we can process our thoughts, and the library provides that. If you can get to the library and have it as a part of your routine growing up, it’ll never leave.

    If you are interested in joining Davenport’s program this June and July, please visit our events page for more information and registration.

  • What The Library Means Me: Catie Sutherland

    By: Barry Ernest

    The year is 1967.

    Lyndon B. Johnson is president. Green Bay wins Super Bowl I. Three astronauts die in a launch-pad fire. Expo 67 opens in Montreal. The 25th Amendment is ratified. Big Macs make the scene. The “enemy is losing” in Vietnam, we’re told. The Public Broadcasting Act is signed. Human Be-Ins dot the landscape. Live satellite TV begins. Roger Ebert debuts as a film critic.

    Two-year-old Catie Bond, hand-in-hand with her mom, enters the public library on Walnut Street in downtown Harrisburg. It is her first ever visit to such a place.

    “I remember the library was where my sister and I could get our hands on books and come for various children’s programs,” says Catie today. “The downtown library was the only one open in Harrisburg at that time.”

    Two other significant yet related events occurred in that same year.

    On a national level, the Office of Intellectual Freedom was created as an outgrowth of the American Library Association. The office was charged with educating librarians, their staff, and the public about the merits of being able to seek knowledge and ideas without restriction. On the local scene, the downtown library, a solo staple since 1914, expanded with three new branches: Harrisburg Uptown, Kline Village, and Colonial Park.

    Both of those actions will have an impact on Catie’s mom… and eventually on Catie herself.

    “Our family started to go to the Colonial Park Library after it opened in 1967,” Catie recalls. “Mom liked that someone could get groceries at the plaza as well as library books at the library.”

    That was when the Colonial Park Library and the mall had rubber mats for a floor, which Catie’s mom felt reasonable since kids wouldn’t be hurt if they fell.

    Catie became the proud holder of her very own library card. She routinely searched through those large metal card-catalogue cabinets to find Trixie Beldon, the Bobbsey Twins, and many other volumes.

    She tells the story that only a few years after introducing Catie to the joys of reading, her mom would become a circulation assistant at the Harrisburg Uptown Library and the Kline Village branch.

    But that’s not all.

    “My paternal grandmother, Eleanor Smith, studied library science at Carnegie Tech and got her degree,” Catie said. “She moved to New York City and worked for the New York City Public Library in the late 1920s and the early 1930s.” In 1931, Eleanor married Julian Bond, who also studied at Carnegie Tech, earning a degree in engineering. The couple then moved to Yorktown Heights, NY, where Eleanor worked for the John C. Hart Library.

    That was where they became familiar with the name Halsey William Wilson. For those unfamiliar, Wilson was a noted publisher from Croton Heights, NY, and the creator of such reference essentials as the Readers’ Guide, the Cumulative Book Index, and the Book Review Digest. He was once labeled as one of the 100 most important leaders of the 20th century. He also had the unusual but charitable habit of giving parcels of land to librarians for free.

    “My grandparents built a garage on the land they were given and lived in it while they built a house,” Catie explained. Her grandfather, Julian, was an architect and thus designed their future home.

    Catie’s library lineage doesn’t stop there.

    “My great aunt, Virginia Keltz, who was Eleanor’s sister, was also a librarian in Detroit,” Catie added. “My maternal great aunt, Betty Donnelly, was a librarian in Newcastle on the Tyne in England. And my uncle, Brian Bond, worked as a children’s librarian in North Bend, Oregon.”

    You might say a taste for books and the places where they are archived was a major part of the family’s DNA. This is why it was only natural that Catie, who became Catie Sutherland upon marriage, went to work at the East Shore Area Library, its newly acquired name, after relocating in 1977 to its current home on property adjacent to the Colonial Park Plaza.

    She’s been there for 31 years.

     “I started working for the library in February 1994,” she said. “I worked as a ‘page’ where I put books away and shelved books.” Three decades later, she now holds the position of Public Services Assistant. As the title suggests, she is a go-to guide for all-things library. She is a source of assistance to those who work at the library, as well as the many who visit it daily.

    Catie doesn’t talk much about her heritage. In fact, few are aware of her family line and its long-standing connection to various libraries. When you ask Catie what the library means to her, you get a humble response.

    “I provide service and help our members get answers to their questions and generally help people out.”

    More than that, the library has presented her with a means of following in the footsteps forged by her ancestors. Toward that end, it has become a way of encouraging others to seek knowledge and ideas without restriction. It has afforded Catie the opportunity to deal personally with those who, just as her mom once did, take their children by the hand and lead them, often for the very first time, into their public library.

  • LGBTQ+ School Age Books

    With June being pride month we at The Library wanted to share some of the school age books we love!

    Flower Girl – written by Amy Bloom; illustrated by Jameela Wahlgren.

    A Song for Nolan – written by Rushie Ellenwood ; illustrated by Sally Chen.

    Calvin – written by JR and Vanessa Ford; illustrated by Kayla Harren.

    Except When They Don’t – words by Laura Gehl; pictures by Joshua Heinsz.

    My Two Dads – written by Claudia Harrington; illustrated by Zoe Persico.

    My Two Moms – written by Claudia Harrington; illustrated by Zoe Persico.

    Jacob’s School Play: Starring He, She, and They – written by Ian & Sarah Hoffman; illustrated by Chris Case.

    The Wishing Flower – written by A.J. Irving; illustrated by Kip Alizadeh.

    Payden’s Pronoun Party – written by Blue Jaryn; Illustrated by Xochitl Cornejo

    Molly’s Tuxedo – words by Vicki Johnson; pictures by Gillian Reid.

    The Rainbow Parade: A Celebration of LGBTQIA+ Identities and Allies – written by Shane Jordan and Rick Hendrix; illustrated by Jieting Chen.

    My sister, Daisy – written by Adria Karlsson; illustrations by Linus Curci.

    What Are Your Words?: A Book About Pronouns – written by Katherine Locke; illustrated by Anne Passchier.

    Mama and Mommy and Me in the Middle – written by Nina LaCour; illustrated by Kaylani Juanita.

    Julián is a Mermaid – written by Jessica Love.

    Téo’s Tutu – written by Maryann Jacob Macias; illustrated by Alea Marley.

    A Costume for Charly – written by CK Malone; illustrated by Alejandra Barajas.

    My Moms Love Me – written by Anna Membrino; illustrated by Joy Hwang Ruiz.

    My Guncle and Me – written by Jonathan Merritt; illustrated by Joanna Carillo.

    The Spectacular Suit – written by Kat Patrick; illustrated by Hayley Wells.

    Dolls and Trucks Are for Everyone – written by Robb Pearlman; illustrated by Eda Kaban.

    Pink is for Boys – written by Robb Pearlman; illustrated by Eda Kaban.

    Sam is My Sister – written by Ashley Rhodes-Courter; illustrated by MacKenzie Haley.

    Marley’s Pride – written by Joëlle Retener; illustrated by DeAnn Wiley.

    Rainbow Boy – written by Taylor Rouanzion; illustrated by Stacey Chomiak.

    My Friends and Me – written by Stephanie Stansbie; illustrated by Katy Halford.

    The Good Hair Day – written by Christian Trimmer; illustrated by J Yang.

    Ari Arranges Everything – written and illustrated by Katie Vernon.

    Mighty Red Riding Hood: A Fairly Queer Tale – written by Wallace West.

    Not He or She, I’m Me – written by A.M. Wild; illustrated by Kah Yangni.

    Love, Violet – by Charlotte Sullivan Wild; illustrated by Charlene Chua. 

    Phoenix Gets Greater – written by Marty Wilson-Trudeau with Phoenix Wilson; illustrated by Megan Kyak-Monteith.

    Bobby and the Big Valentine – words by Timmy Woitas; illustrations by Addy Rivera Sonda.